Friday, 13 January 2012

Nadiwrath - Nihilistic Stench



This band are ace! Being a smelly crust punk, theres nothing I love more than an apocalyptic Dbeat. But one of my favorite things about this band is the fact that they actually don't use Dbeats, like everyone else does. In fact they use straightbeat a la The Exploited. Everyone that listens to crust started off on The Exploited and then to Discharge etc etc and since I'm actually from the same city as Wattie my love for them is even stronger. It is strange that using an older style of punk actually creates an effect that seems like fresh new take on the blackened punk genre. Musically they perfectly blend oldschool UK82 punk with mayhem style 90s black metal, I mean, whats not to like there!? Imagine looking at photos of the members of this band, they will HATE me for saying this but this band, to me, are like a fun version of blackened crust. Like when you stick on Alternative by the Exploited at a house party and everyone drunkenly moshes about and sings along, you could easily do this with Nadiwrath. I highly recommend. 

download here

Chronocide - Interview

Hello Punks who love Black Metal!!!

This is the first Interview posted on the NecroCrust blog! It is with Chronocide, the band featured in the last post who pummel us with black as fuck grind punishment.



Who you are and what you do

Neil: Nothus and Eversor, or Mike and Neil to our folks. I'm [Neil] a student at Glasgow University (archaeology, classics and religious studies) and Mike teaches RE in Sheffield.



What sort of musical backgrounds do you have, what kind of bands have you/do you play in other than Chronocide?

Neil: We've been in a smattering of thrash, crust and black metal bands between us. Chronocide is Mike's only band currently, I play in a doom/sludge band called Sunsmasher and have a few other things for fucking about with when I'm bored, Bloodlunch (psychobilly), Grindasaurus Rex (grindcore with its tongue in its cheek) and Ishkerioth (d-beat). The latter two just being me by myself.



Where did the idea for the band come from, why did you chose to mix grind with black metal as opposed to anything else or do a straightforward grind or black metal band?

Neil: I wanted to do something with Mike singing, having known each other via internet forums. We mooted the idea for ages and I never got round to writing anything whilst I moved around the country a bit working. When I eventually did we had various ideas about things we'd like to incorporate which I tried to bear in mind when I was writing but how many of those really come through I'm not sure. I hear the sludge ideas and the psychedelia ones, for instance, but I imagine to the average ear it's mostly the black metal, hardcore and grind that's clear.

Mike: I just wanted to do something with no particular limitations, it came out the way it did because of the influences we have, not because we made a conscious decision to play black metal or grind, I suspect that our future material will sound different again incorporating whatever we want to add at that time.



Chronocide is just the two of you, was this a conscious decision or could you not find members?

Neil: Entirely deliberate. I didn't have any interest in having a full band for it, just wanted to be able to work on everything myself. I get far more done aside from anything else. Plus with us living several hundred miles apart it was never going to be a normal full band anyway.



Do you ever plan to get a band together for live gigs or are you going to keep it darkthrone style and just record albums.

Neil: We've done two shows, one with Anaal Nathrakh and one at the Damnation Festival pre-show last year. We've every intention of doing more, but given the distance between us it needs to be stuff that we think is worthwhile and that we can both actually make it to.



What is the song writing process like if it is just the two of you, and who plays what?

Neil: I have little bursts of activity now and again. Write two and record two or three songs in a day then come back to them and play about with lead or texture parts over the top then send them down to Mike. He'll get some ideas for vocals, get back to me with any changes he thinks need to be made and every so often comes up and records vocals in Glasgow.



What would you say is the purpose Chronocide and what do you hope to achieve with it?

Neil: My auto-response to this question used to be “I just want to make music that sounds like getting punched in the face”. I suppose that's still the case. In concept and lyrical content there's an intention to be thought provoking if people actually pay attention to what's being said. If they don't, so long as it's uncomfortable to listen to I couldn't really give a fuck.

Mike: For me it's just about the freedom to create - as I said before Chronocide has no particular limitations past what myself and Neil are capable of playing. To have that freedom within a musical genre usually quite rigid is quite liberating. In terms of hopes? I just want to make an album I'm 100% proud of, still not there yet.



Judging from the song titles and album name, Chronocide seems to be about have a misanthropic opinion about the injustices in the world, could you to elaborate on what the lyrics and themes of the band are.

Mike: It's not so much the injustices but just the world in general, I haven't been a particular optimistic person for a long time and this is kind of how it's come to manifest itself. There are two entwined sides to Chronocide lyrics (for me), the emotional and the philosophical. The former is the more straightforward and angry of the two since I don't see the point in trying to hide behind fancy words when discussing my contempt for things like war, politics and abuse (the usual suspects). The latter though is a little more complicated and unfortunately too long to explain properly here, suffice to say a huge amount of my lyrics seem to illustrate (not always deliberately) bemusement at how we've (humans) got ourselves into the situations we have, without wiping ourselves out in the process. We're so far beyond fucked it's unimaginable, it's become somewhat of a joke.



Solitude of Man is out on FETO records, the mighty Anaal Nathrakh’s label, how did that come about?

Neil: Pretty simple story really. I messaged Mick asking him to get a listen to a couple early Chronocide tracks and tell me what he thought, more for his opinion on production than anything else. He got back to me, said he really liked it and would put it out when we finished a record. That was that.



What records would you say most influenced you to create Chronocide

Neil: I suppose I'm more interested in what other folks think might have influenced us. Rather than specific records, I think bands like Nathrakh, Napalm Death, Pig Destroyer, Doom, Discharge, Deathspell Omega and similar stuff is what I hear in us. I don't and never have had any “I want to do something reflecting X influence” motivation.

Mike: From a lyrics point of view, there is stuff right across the board. I hear everything from hip-hop and spoken word (Saul Williams) to blues (Tom Waits) through to hardcore (Refused) and metal (Gojira) in my lyrics, although I suspect someone reading them would perhaps see the latter two more than the former.



Is there anything coming up in the future that you would like people to know about?

Neil: There are a few splits in the works for this year, which I don't think I can mention the details of at the moment, but should be able to soon. The music for all of them plus all of the second album is written and recorded, just needs completed vocals then mixing and mastering. We did two gigs and nothing else in 2011 so we intend to be more active in 2012.



What do you want to tell the world as a closing thought?

Mike: Stop putting your faith in anything based on human thought, because we're all capable of error. No divides matter, no rules or laws truly matter, they're all created by man and as such are subject to constant revision and change. Accept only what you know for sure, and question everything you don't. Existence is a ridiculous joke and should be treated as such.

Chronocide - the solitude of man



The main thing I think when I'm listening to this album is, 'This is what I've been looking for!!! Finally!!!' This record is out on FETO records, the label owned by the mighty Anaal Nathrkh, those guys know their shit! so you know this band must be worth a listen. Chronocide are epic as fuck grind, laden with an almighty cloak of bitter, misanthropic blackness. But if that isn't diverse and inventive enough for you, there is yet more depth to the disillusion and 'Solitude' in this album. There is an almost cosmic atmosphere is some of the tracks that carrys you away to an astral plane where you  instead of some profound truth about life, discover how truly futile human existence really is. The lyrical content here is really top notch as well, well thought out themes on life's meaning, the conclusion being that there is none. This album is definitely one to take note of and I personally cant wait to hear more.

http://www.facebook.com/pages/Chronocide/130830966955095

Download here

http://www.mediafire.com/?6bkuvljkd2jh460

Wednesday, 5 October 2011

Endless Disease - Our Dawn Is The End



Band: Endless Disease
Album: Our Dawn Is The End
Year: 2010
Country: USA

FUCK this band is good. I am genuinely frustrated that this is the only recordings aside from live videos I can get a hold of. This is a band that, in my opinion is doing NecroCrust right! They have a really good balance of Dbeat and Blasting, as well as chugging riffage. Slow sections are not bypassed either adding an extra, sludgy dimension to proceedings. Endless Diseases sound could be described as horrifically bleak, ugly and destructive. There are no pretty quiet sections here! In these Texans book, build-ups are for pussys! right from start to finish this EP is booting you in the face with crust as fuck steel toe caps and raping you with an upside down, barbedwire, black metal crucifix. Another awesome thing about them is their savage vocals, which throughout have a delay effect on them. It might be to everyone's taste but I have always thought delay on black metal vocals sounds fucking BAD ASS. I really can't wait for their next release and if you like crust and black metal, I promise you will LOVE this.

www.facebook.com/endlessdisease

download!
http://www.mediafire.com/?9k4hvz9icovcbv7

Fall of Efrafa - Elil (2007)


Band: Fall of Efrafa
Album: Elil
Year: 2007
Country: UK

I haven't listened to an album as much as this in a good few years. I guess this isn't strictly NecroCrust but it still definitely has that Black Metal mood and atmosphere about it. When this band set out to make this album it didn't turn out like this by accident, they definitely knew exactly what they were going to do, and that was to create one of the most EPIC doom laden, crust albums ever. There is only 3 tracks on this album, I've noticed that recently doing that has sort of become a cool thing to do.A lot of bands are releasing albums that are just one hour long track but the reason so many bands are doing this is because of bands like Fall of Efrafa, they do it because the music calls for it, and a track that was any less than 15 minutes long would just be rushed. I am a person that really loves a good build up, and that is exactly what this band does best. And what goes best with clean guitar and building up drums? that's right! Richard Dawkins samples! But beware, you better brace yourselves for when you finally get your catharsis, the heaviness here is properly crushing. This album also features some of the slowest Dbeats I've ever heard, and that's not a bad thing! it may sound absurd but they are really effective, we've all heard fast Dbeats a thousand times so this is fresh as well as continuing the epic feel. Fall of Efrafa are definitely one of the best bands about at the moment and I strongly urge you to acquire this album and listen to it in its entirety.


download!!!
http://www.mediafire.com/?fw90eb9jc0u6w6v

Vestiges - The Decent of Man (2010)



Band: Vestiges
Album: The Decent of Man
Year: 2010
Country: USA

Really I doubt that there are many people who are properly into this new and innovative crust/black metal hybrid we call NecroCrust that don't already 'own' this album, but if you are new to this type of music then this album is DEFINITELY a good place to start. The first time I heard this I was totally blown away, it really does have everything you could want in dark music. From really serene and beautiful quiet sections that build, and build into apocalyptic doom filled riffage like a storm brooding in the sky that suddenly bursts open and scenes from the book of revelations pour out. To charging crust punk Dbeats that ride across the desolate landscape like the four horsemen of the apocalypse aided by amazing soaring harmonies.Lest we not forget the epic black metal sections that elevate your senses to a higher plane of billowing atmosphere. The album was written in the old school way - AS AN ALBUM. The band say that although the record/cd is split into different tracks, it was really written as one song, so do try to listen to it all in one go at least once as it truly is worth it. This album really is something to be reckoned with.

www.wearevestiges.com

download here!
http://www.mediafire.com/?uou02anat6n7ug8